Last weekend was quite busy – we had the grandsons to mind,
friends round to eat, out to Sunday lunch, and then to a concert Sunday
evening.
When I booked the concert I didn’t realise how hectic the
weekend would turn out to be, which is a good thing, as otherwise I might have
chickened out, and missed a really great experience.
The concert was at Nottingham’s Royal Concert Hall, built in
1982. When we first moved here, after London and even Sheffield, Nottingham was
quite a step down – there was only one theatre, and classical concerts were in
the Albert Hall, a huge Methodist church, with pretty poor acoustics. But then
the Royal Theatre was restored and reopened, and shows excellent touring
productions. Only I wish they hadn’t stuck with the Victorian seating –
Victorian people seemed to have been a lot narrower, with legs about half the
length of modern British people, with the result that anywhere but the stalls
is cripplingly uncomfortable. But the
real triumph was that they added a concert hall behind the theatre, with superb
acoustics. It was the forerunner and inspiration for some other modern concert
halls, such as in Birmingham and Manchester.
And the seats are comfortable!
Since we now have a suitable venue, we get much better
concerts, and last Sunday’s was really
special. There was a wonderful
performance of Mozart’s 5th Violin Concerto, but the prime event was Mahler’s Symphony
No.6. There were more than a hundred musicians on stage, including six percussionists.
I had not realised how literal the “hammer blows of fate” were – one percussionist
was equipped with an actual sledge hammer, something I’ve never seen before. It
is a great privilege to be able to walk out of our flat and hear something like
this concert so easily. We often find ourselves quoting “The Quangle Wangle’s
Hat” – when all these creatures move,
what a wonderful noise there’ll be.
The noise is
amazing – although it is wonderful, I do slightly tend to find Mahler somewhat
self indulgent, length for the sake of it, but all these people, working so
hard, so skilled, for us – it’s a thrilling thought. And we have Mahler’s Ninth Symphony to look
forward to next year.
While I’m praising Nottingham’s main music venue, I must
mention the Djanogly Recital Hall, on the University campus – again, it has
superb acoustics, and so we get a wonderful programme of chamber music. I do
worry that, apart from some music students, we seem to be young blood at string
quartet concerts. Does it take many years to acquire a taste for them? Or are
they going out of fashion?