Today is
Saturday, so although the school parties are missing, there are a lots of
Italian families out enjoying themselves. It’s been a beautiful warm sunny day,
like an English summer, almost, but we think that March may be a bit late to be
really out of season. The Italian school kids are well behaved – the most they
do is look bored and inattentive, or spend their time texting instead of
listening – but they do mill around. So
January or February may be better.
After
breakfast we walked over to the Pitti Palace. First we went into the Palatine
Gallery. There’s far too much to take in, and a lot isn’t top quality. so we scanned each room for a couple of
pictures we really wanted to look at, and concentrated on them. It worked
really well. There are some lovely Raphaels, not the Madonna and child
religious stuff, but portraits, including Agnolo Doni and his wife, a sulky
madam. Mind you, Agnolo doesn’t look an easy going bloke, so perhaps she had
her reasons.
There’s one or two superb Titian portraits, and a really haunting
Fra Bartolomeo, of the deposition.
The Royal
apartments are (it seemed) just about as extensive as Versailles. But you can
just keep walking – they don’t need studying. Some of the inlaid table tops
were amazing, and we did admire them. Also, there was a clock restorer working in
one of the rooms. He had a very fancy French clock in pieces.
In another room,
there was a concert – piano, clarinet and violin or viola. It was quite an
ambitious programme – too ambitious for Phil, who took a dislike to the Ysaye.
But we enjoyed the other pieces and it was a very nice extra.
Clock, with Robinson Crusoe and Man Friday! |
Another
nice extra was a small display of documents from the archives; for example, there
was the correspondence from Santa Croce about the reburial of Galileo there. It
made up a bit for the accounting museum in Siena being closed. Phil is always
talking about the lecture he plans to deliver on cruise ships, to be called “Adventures
in Accountancy”; and of course Italian banks invented double entry bookkeeping.
Then there
was the modern art gallery. Well, I suppose it’s all relative, but Florentine
ideas of what counts as modern are not the same as, say, the Tate, or the
Pompidou Centre. But we didn’t need to spend too much time there.
We had a
fairly quick gallop through the costume museum, which concentrated on the
clothes belonging to a few women, rather than showcasing designers. It was quite
interesting, but there wasn’t much I coveted. The hat displays were fun, though
there was hardly one I could imagine wearing. A slightly yucky bit was the display of the remains
of the clothes that Cosimo de Medici and his wife had been buried in. I don’t
know why they dug them up to undress them, it all seemed very undignified. They
even had Cosimo’s codpiece on display.
Then we went
out into the Boboli Gardens. As I said, it was a beautiful day and the views
from the top are superb. Also the lawns were covered with daisies, buttercups
and anemones, so they looked lovely. Otherwise, all those hedges, shrubs and
paths are quite boring, I find.
The Duomo, from the Boboli Gardens |
Then we
thought, since we were over the river in Oltrarno, we should see Santo Spirito.
It’s a magnificent building, high, elegant and austere, designed, like the
cathedral, by Brunelleschi.
By this
time we were knackered – there are an awful lot of flights of stairs in the
Pitti, never mind the climbs in the garden. So we gave up and went back to the
hotel for a rest before dinner. We have
found a very nice place, Ciro & Sons, a few minute’s walk away from the
hotel, and we are sticking with it. If a place is good, they deserve for you to
return.
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