We stayed in another agriturismo B&B
at Agrigento. I had a nice dip in the small pool, but apart from the pool this
was more of a proper country villa than the previous place. There were lots of
hens, a couple of dogs, one large, one small, peacocks, and in the morning we
were woken, first by the doves on the roof over our heads, and then by something
emitting tremendous honks like someone having fun with a tuba. In the evening, we could see the
temples across a dip on the ridge illuminated. It was quite a sight.
It was another really good breakfast
with fresh smoothies and bread, which while solid, was tasty.
Agrigento is a massive site, so we
concentrated on the temples, and although there are some interesting churches
in the town proper, we had had enough of the traffic yesterday, and decided to
give them a miss. The drive was harder than expected, because the viaduct is closed - some of the supports are unsafe. This keeps happening, and sometimes tunnels are closed. We are then sent on long detour through difficult roads. They are unsafe under normal conditions, and bear in mind that this is an earthquake area. I believe the shoddy workmanship is mafia related.
The main sight at Agrigento is the Temple of Concord. It's the one whose
front is used as the badge for UNESCO World Heritage sites. It survived becaus it was turned into a
church, and also because it is on a bed of clay which acted as a shock absorber
in the earthquake that brought down the other temples. It's thought that the builders knew this.
Temple of Concord (not the original dedication.) |
It was pretty hot and not much shade, and
both Phil and I were amused by the way experienced guides crowded their groups
into what shade there was before embarking on the lecture. It made us sad, too,
remembering our guide in Syria, Adnan, who seemed to know every patch of shade.
Goodness knows what's happened to him. There certainly won't be any western
tourists. Mind you, he did tell us how he couldn't stand ShiĆ” muslims. I can't
say I was surprised when Syria fell apart - it seemed a really unhappy country
when we were there. And remembering all that depressed us more than ever, because I recited "Ozymandias" on the stage at Palmyra Roman theatre to test the acoustics, and
apparently it's now being used for executions.
The museum was wonderfully cool and had
some red figure and black figure Greek vases of superb quality and one or two
excellent sculptures. It also had a reproduction of one of the telamons from
the Temple of Zeus, erected so one could properly appreciate its gigantic
proportions.
Then we had a good meal quite close to
the temple site; the restaurant was patronised by many local business people which is always a good sign. We set off to drive all the way to Siracusa. For all the reasons I've mentioned it
was quite tiring and we were very glad to reach the hotel, which is a modern
business type hotel although since it is French owned, a French bus tour is here.
Breakfast was really good - there was a
ricotta tart which Phil actually sampled and a choice of almond, coffee, or lemon
granita, on top of all he more expected stuff.. We are down to two meals a day, the breakfasts are so good.
It was a short walk to the main
archaeological site. The Roman amphitheatre is closed, and so is the early church,
but you can see the large cistern under the church, which stored water for
cleaning or flooding the amphitheatre.
There is a simply vast altar on which
well over a hundred oxen could be sacrificed at one time.
The Greek theatre is
really terrific and one can't help be impressed to think that it showed the
first production of Aeschylus' plays, and Plato and Archimedes attended plays in
this very theatre. There are three plays showing at present - Iphigenia in Aulus, The Supplicants and Medea. We did think of going but it's The Supplicants the night we are here, which we don't know, and of course they are performed in Italian. So we decided against it. But the theatre was so evocative and the setting so dramatic that we started to regret it, although we know that
after we have walked all around Syracuse, we'll be too tired to enjoy a play
while sitting on backless stone seats.The sacred spring. |
The Nymphaeum with niches for offerings around it. |
There is a very impressive fountain at
the top of the theatre. The Greeks and later the Romans seem to have made use of
numerous springs coming through faults in the rock from miles away in the
hills.
Later, on Ortigia, the island end of Syracuse, we saw the spring of
Arethusa, named after one of Artemis' followers who was turned into a spring in
an attempt to shake off an importunate lover. It's in Ovid's Metamorphoses.
Nelson's fleet watered at this spring on its way to beat the French at the battle
of the Nile. It's very pretty, in spite of the Italian blindness to litter,
with a large clump of papyrus in the basin, ducks and carp. In a couple of steps is the sea. No wonder the site appealed to the Greeks.
The fountain of Arethusa |
The stone quarries are well worth seeing - they have turned into gardens full of lemon trees, acanthus, baobabs and edible
figs, oleander and bougainvillea. They are lovely to wander through, marveling
at the size of the caverns and blocks which have been removed, and being careful
not to think too hard about the 7000 Athenian prisoners of war, who died here of
heat and starvation. There are lots of tombs cut into the rock - one is said to
be that of Archimedes. It obviously isn't, but it's a nice walk.
The quarries - Dionysos' ear - named By Caravaggio because of its shape, and because he believed the Tyrant used its strange acoustics to listen in on people. |
We had a look at a modern church, built
because in 1953 a statue of the virgin is alleged to have started to weep. This
was followed by miracle cures. It's round, like the RC cathedral in Liverpool,
known as Paddy's Wigwam, although the altar is not in the centre, but to one side.
It's nice though -not overdecorated, and the architecture is allowed to speak for
itself.
Then we wandered along the sea front and
around Ortigia, the island at the very tip. There are many restored palazzi and a few crumbling ones. The
Duomo is completely amazing. It took over the temple of Athena, dated fourth century B.C., and although a
baroque front has been stuck on, you can see the original Doric pillars built
into the walls, where the peristyle was simply bricked up.
It was very exciting
to think we'd actually been in a Greek temple. The fortress at the tip of Ortigia |
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